Visualizzazione post con etichetta Isaac Albeniz. Mostra tutti i post
Visualizzazione post con etichetta Isaac Albeniz. Mostra tutti i post

mercoledì 17 febbraio 2016

Una Serata con Mr. Bream - An Evening with Mr. Bream: Julian & John 2 (Togheter Again)

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17 febbraio 2016: Julian & John 2 (Togheter Again)

Nell'aprile del 1974 Julian Bream e John Williams tornò a suonare e a registrare assieme un nuovo disco con musiche di Ferdinando Carulli, Enrique Granados, Isaac Albeniz e Mauro Giuliani

February 17, 2016: Julian & John 2 (Together Again)


In April 1974 Julian Bream and John Williams returned to play and record togheter a new disc with music by Ferdinando Carulli, Enrique Granados, Isaac Albeniz and Mauro Giuliani

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mercoledì 27 gennaio 2016

Una Serata con Mr. Bream - An Evening with Mr. Bream: Julian & John ("Togheter")


Mercoledì 27 gennaio 2016: Julian & John ("Togheter")

Il 1972 vede la nascita di un sodalizio musicale tra due dei più grandi interpreti della chitarra classica: Julian Bream e John Williams firmano assieme questo "Togheter" dove suonano musiche di William Lawes, Ferdinando Carulli, Fernando Sor, Isaac Albeniz, Enrique Granados, Manuel de Falla e Maurice Ravel.

Wednesday, January 27, 2016: Julian & John ("Together")

1972 sees the birth of a musical partnership between two of the greatest classical guitar's interpreters: Julian Bream and John Williams sign toghter this cd "Togheter" where they play music by William Lawes, Ferdinando Carulli, Fernando Sor, Isaac Albeniz, Enrique Granados, Manuel de Falla and Maurice Ravel.

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mercoledì 30 settembre 2015

Una Serata con Mr. Bream - An Evening with Mr. Bream: Popular Classic for Spanish Guitar


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30 Settembre 2015: Popular Classic for Spanish Guitar
Siamo nel 1964 e Bream inizia un periodo molto importante e denso di attività negli studi di registrazione. In questo quinto cd del suo cofanetto troviamo musiche di Heitor Villa Lobos, Torroba, Turina, Albeniz e De Falla. Alla scoperta del repertorio spagnolo.

September 30, 2015: Popular Classic for Spanish Guitar

We are in 1964 and Bream begins a very important period of his life,full of activity in the recording studio. In this fifth CD by his "Classica Guitar Anthology" box set we find music by Heitor Villa Lobos, Torroba, Turina, Albeniz and De Falla. Discovering the Spanish repertoire.

mercoledì 22 gennaio 2014

Download Podcast : Lieske Spindler Guitars play Albeniz


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Questa sera ascolteremo il duo Lieske Spindler, composto dai chitarristi Wulfin Lieske e Fabian Spindler, eseguire arrangiamenti per chitarra di brani composti da Isaac Albèniz, disco eccellente uscito nel 2009 per la Challenging Records.

Tonight we will hear duo Lieske Spindler, guitarists Wulfin Lieske and Fabian Spindler, perform guitar arrangements of passages composed by Isaac Albeniz, in an excellent record released in 2009 for the Challenging Records.


Puntate e Podcast: I° anno
Puntate e Podcast: II° anno
Puntate e Podcast: III° anno

giovedì 21 marzo 2013

Grondona plays Asturias music by Albeniz, Stradivarius 2009



The musicians are explorers, pathfinders as it existed once upon a time, like Livingstone, Stanley and even like Walter Bonatti, able to pick up maps written for them by some geographers of the past, maps to interpret, to decipher, from which start to explore and bring back a new representation of the territory. Do you think this is a strange idea? Try to think about the musical score as a map and the composer as a geographer who created it and the musician as the explorer who ventures with this map in his hands, which returns telling us the territory he explored playing this score. Each new performance, each new interpretation unfolds before us a new territory, a new representation of the score, which is text and map together at the same time, guidelines for the musician who must follow and at the same time revealing it by his own taste, its own personality, its own experience. How many times have we heard playing Asturias? How many times have we asked ourselves, again? Why is this question, which is not simply addressed to Asturias? Because sometimes happens that a musician is able to give a performance of a music getting such beauty and elegance that this new representation of the score becomes not only a landmark but the new canon style at which we feel an obligation, implicit or explicitly, to comply. It happens with Segovia and it will happen again. It’s like as facing his version we lack the forces, lack the courage to look for in the score, in the map a new representation, a new path, to explore an area that as visited by hordes of tourists we now believe that has exhausted its possibilities. This is perhaps the major difference between a real musician (explorer) and the simple tourist (the trivial interpreter): courage, culture, musical and emotional intelligence to be able to watch the score with new eyes and sensitivity, the ability to explore a new direction, to mark a new path, to show and represent things in a new perspective, perhaps, to create a new aesthetic and a new ethics. This is why I have to thank Stefano Grondona that collaboratively with the excellent Laura Mondiello has decided to offer us in closing 2009 this tribute to the music of Isaac Albeniz for the centenary of his death. Also for this occasion the Master gives us an essay of his art, exquisitely interpreting the music of Albeniz and managing the miracle to giving us new interpretations and new ways of listening to this music that are the most ever played by classical guitarists. As always, playing the original Torres, equipped with new ropes made by Aquila Corde, the two guitarists play twelve tracks (including the famous Asturias) demonstrating to the lazies and the losers that who wants to do be a musician does not need a tourist’s mentality but an explorer’s one, and that also in maps and in the most popular or played scores we can create new routes, managing to escape from the usual cliches and the usual stereotypes. Eventually, perhaps, as in a story by Borges, the geographer and explorer, will examine a single map on which are represented on all maps of the universe, then perhaps all the music will become a music only, or perhaps , a single sound .... I do not know. A great album recorded in perfect way by Davide Piva and mastered by Andrea Dandolo, with beautiful packaging and graphics edited by Patrizia Peruffo. Five Stars!