Visualizzazione post con etichetta Mauro Giuliani. Mostra tutti i post
Visualizzazione post con etichetta Mauro Giuliani. Mostra tutti i post

mercoledì 24 febbraio 2016

Una Serata con Mr. Bream - An Evening with Mr. Bream: Giuliani - Sor

24 Febbraio 2016: Giuliani - Sor

Sempre nel 1975 Bream torna a registrare nella Wardour Chapel le Rossiniane di Mauro Giuliani e la Grand Sonata op.25 di Fernando Sor: grande musica romantica!

February 24, 2016: Giuliani - Sor

Always in 1975 Bream returns to record in Wardour Chapel le Rossiniane by Mauro Giuliani and Fernando Sor's Grand Sonata op 25: great romantic music!

Radio Podcast


mercoledì 17 febbraio 2016

Una Serata con Mr. Bream - An Evening with Mr. Bream: Julian & John 2 (Togheter Again)

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17 febbraio 2016: Julian & John 2 (Togheter Again)

Nell'aprile del 1974 Julian Bream e John Williams tornò a suonare e a registrare assieme un nuovo disco con musiche di Ferdinando Carulli, Enrique Granados, Isaac Albeniz e Mauro Giuliani

February 17, 2016: Julian & John 2 (Together Again)


In April 1974 Julian Bream and John Williams returned to play and record togheter a new disc with music by Ferdinando Carulli, Enrique Granados, Isaac Albeniz and Mauro Giuliani

Radio Podcast


martedì 8 dicembre 2015

Una Serata con Mr. Bream - An Evening with Mr. Bream: Classic Guitar


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9 dicembre 2015: Classic Guitar

Nel Febbraio 1969 Bream realizza un disco il cui titolo "Classic Guitar" fa già presagire il contenuto, la stessa copertina mostra Bream in veste di concertista mentre col suo strumento suona musiche di Mauro Giuliani, Fernando Sor, Anton Diabelli e trascrizioni da Wolfgang Amadeus Mozart.

December 9, 2015: Classic Guitar

In February 1969 Bream realizes a record whose title, "Classic Guitar", already predicts its content, the same cover shows Bream as a performer with his instrument while playing music by Mauro Giuliani, Fernando Sor, Anton Diabelli and transcripts by Wolfgang Amadeus Mozart.

Radio Podcast

mercoledì 9 settembre 2015

Una Serata con Mr. Bream - An Evening with Mr. Bream: Guitar Concertos


9 settembre 2015: Guitar Concertos 

Mercoledì 9 settembre secondo appuntamento con la nuova trasmissione Una Serata con Mr. Bream. Ascolteremo la seconda registrazione discografica di Julian Bream avvenuta nel 1961 con i concerti di Mauro Giuliani e Malcom Arnold, a cavallo tra il romanticismo e la musica contemporanea.


September 9, 2015: Guitar Concertos

Wednesday, September 9 second appointment with the new radio transmission An Evening with Mr. Bream. We will listen to the second recording of Julian Bream made in 1961 with the concerts by Mauro Giuliani and Malcolm Arnold, between romanticism and contemporary music.

Radio Podcast

02/09/2015: The Art of Julian Bream

venerdì 26 ottobre 2012

Review of Rossiniane, Pot Pourri di Claudio Maccari- Paolo Pugliese, Brilliant 2007


P1010342

Italian Translation

Mauro Giuliani is one of the most important composers and point of reference for the classical guitar repertoire, composer and performer born in Bisceglie, near Bari, in 1781 and died in Naples in 1829, was active mainly in Vienna, where he had contacts with musicians of his contemporaries as Hummel, Haydn, Beethoven. The friendship that bound him to Rossini is well attested, in fact, with the Rossiniane opp. 119-124, six musics explicitly inspired and reflecting on guitar the themes of the works of famous composer from Pesaro. This kind of composition also reflects a widespread practice in early nineteenth century bourgeois: to play in the "lounge" dimension music then in vogue. The intent was to able to stimulate, imitatine through allusions and quotations, the fashion music heard in the major theaters of Vienna and Paris, the curiosity of a bourgeoisie that took part in the musical life of that time. So a kind of amateur flavor, the one by the Rossiane which should not be confused with the music of poor quality. In this work of three compact discs Masters Claudio Maccari and Paolo Pugliese are able to recreate that good cocktaill between the harmonies of Rossini and the virtuosity of Mauro Giuliani that was so successful that even by the appearance of the music from the early nineteenth century.
The photo that shows the two Masters in the CD cover with their faces and eyes smiling in the company of their "vintage" guitars represents the entire satisfaction for an excellent job both in terms of amount of repertoire for both the interesting and philological care with which the recordings were made. In fact, in the three CDs there are not only teh Rossiniane but also Pout-Pourri opp. 18-26-28-31-42-108, Grand Overture op. 61 and the Gran Sonata Eroica op.150 for a total of over 180 minutes of music at high quality! The quality of recordings is remarkable for the high skill of the musicians, long appreciated specialists in nineteenth-century repertoire, and the attention devoted to philological attempt to perform these pieces as much as possible trying to recreate the atmosphere and the musical context in which they were created and executed. All musics were recorded with the original instruments of the time: the guitars Guadagnin 1819, Pons 1825 and Guadagni 1830 from the collections of the two interpreters, and for the Pons's from the collection of Giovanni Accornero, strictly tuned in the 425 Hz. In the booklet and CD are given the history of these guitars and exact references to Rossini arias, which at times with a distracted listening, may escape the titles of arias and works cited. Recording clean and balanced accurately highlighting all the colors of this music so fascinating.

venerdì 14 settembre 2012

Review of Mauro Giuliani Studi per chitarra by Elena Càsoli (Rivo Alto 1994)


Elena Càsoli Giuliani

Italian Version

In her interview published here on the blog in these days I asked to Elena Càsoli what was hes relationship with tradition and if she played classical pieces in her repertoire. Hes answer showed her relationship with this repertoire in terms of musical and cultural education, showing the link between the study of the tradition and her personal approach to contemporary music. So it’s been with great pleasure that I managed to find this cd made in 1994 with the venetian label Rivo Alto. I think that peple who read this blog (expecially the italian site of Chitarra e Dintorni knows my admiration for the music of Elena Càsoli and therefore will not be surprised by my positive review of this cd. This is an anthology of studies (54 to be exact) featuring the works by Opus 48, 50, 51, 100 and 111 by mauro Giuliani played with great skill and art, 54 musical sketces, musical dreams or dream fragments in sound shape. Elena Càsoli succeeds in creating magical moments of suspension and colorful auroras in which the listener is immersed up, completely loosing himself in the pleasure of the relaxing music by Mauro Giuliani.
I think this is an essential cd for those who plays by themself without a teacher and want to hear a perfect versions of these studies, and a strategically important recording for those who have always seen these musics as simple exercises or borino studies and wants to rediscover them in a new, shining light.

"I think that it’s important to study a particular repertoire or composer, as much as it’s important for every musician to develop an elastic and flexible way of thinking, that shall permit him, to be able to move, I will not say through different styles – an ability that only few artists may have - but through different authors of the same style, enriching their own interpretative perspective and keeping the highest artistic quality." Elena Càsoli

martedì 21 aprile 2009

Recensione di Mauro Giuliani Studi per chitarra di Elena Càsoli (Rivo Alto 1994)




English Version

Nel corso della sua intervista pubblicata qui sul blog circa un anno fa avevo chiesto a Elena Càsoli quale fosse il suo rapporto con la tradizione classica e se suonava mai pezzi del repertorio ottocentesco. La sua risposta positiva evidenziava il suo rapporto con questo repertorio sia in termini di formazione musicale che culturale, sottolineando il file rouge che collega lo studio della tradizione con l’approccio alla musica contemporanea.
E’ quindi con grande piacere che sono riuscito a trovare questo suo cd realizzato nel 1994 con la casa discografica veneziana Rivo Alto. Chi legge questo blog conosce da tempo la mia ammirazione per la musica di Elena Càsoli e quindi non si stupirà di un mio giudizio positivo su questo cd.
Si tratta di una antologia di studi (54 per la precisione) tratti dalle opere 48, 50, 51, 100 e 111 suonati con grande perizia e maestria, 54 miniature musicali, sogni o frammenti di sogno in forma sonora. Elena Càsoli riesce nella magica di creare attimi di sospensione e aurore colorate in cui l'ascoltatore si immerge fino a perdersi completamente nel piacere rilassato della musica di Mauro Giuliani. Indispensabile che chi suona come autodidatta e vuole ascoltare delle versioni perfettamente impostate, di importanza strategica per chi ha sempre visto queste musiche come dei semplici esercizi o degli studi noiosi e li vuole riscoprire sotto una luce nuova.


“Tanto penso che approfondire la conoscenza di un dato repertorio o autore sia importante, quanto credo che ogni musicista possa sviluppare un pensiero elastico, duttile, che gli consenta di spostarsi, non dico tra i generi –dote riservata solo a pochi- ma tra gli autori di uno stesso genere, arricchendo la propria prospettiva interpretativa e mantenedo alta la qualità artistica.” Elena Càsoli

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